Saturday, December 10, 2011

Jim Campbell kills it at Pari Nadimi, while David Rokeby's piece is just dead

Jim Campbell, Exploded View (Commuters), 2011
1152 LEDs, custom electronics, wire, steel, 72 x 46 x 38".  Photo credit: Derek Weidl














Be sure to visit the Pari Nadimi Gallery, just south of Queen at 254 Niagara St. before December 22nd.  I've been twice and intend to see the show once more tomorrow.  Both times David Rokeby's interactive sound piece has been temporarily turned off — the Achilles Heel of New Media Art is that generally only the artist can fix it should something go awry.  Luckily, the highlight of Toronto's most innovating art/tech show of the year is an installation of hundreds of spherical LEDs by the San Francisco artist, Jim Campbell.  At first glance it seems like the lights are reacting to your presence in their vicinity, but distance disproves this theory.  Instead the lights which are turned off resolve into life-size three-dimensional silhouettes who "walk" though the field of LEDs!

Nothing beats experiencing this New Media piece in the flesh and photos fail to reproduce its effect, so try to see it while it's still up!  Alternately, a second installation of Exploded View (Commuters) has popped up at the The Museum (Kitchener), where Campbell will be leading a public tour of the show on December 11 at 11:30am.  In fact, there is a lot happening at Kitchener Galleries right now!  Check it out:


David Spriggs, Vision, 2010, airbrushed white acrylic paint, display case,
springs, lights, transparent film, 264 x 315 x 91 cm.  Photo credit: T. J. Hamilton.
* NOTE: child not included!

David Spriggs, an artist whose work caught my eye at the Toronto International Art Fair this fall, has a large-scale installation featured in the KW|AG (Kitchener Waterloo Art Gallery) group show The Limits: Tracing Time & Space, running through January 8th

An excellent 90 second interview with the artist on Vision can be found here.  Spriggs is joined by six other artists, among them Spring Hurlbut (who I found out just today is A. female & B. very goth), Kristian Horton, and the exceptional Brooklyn-based Alyson Shotz.


 
Alyson Shotz, Double Torque (+ detail), 2010, yarn and pins on wall, 120 x 185"
Installation view at Nasher Sculpture Center, Dallas, Texas.
Photo credit: Derek Eller Gallery

Last but not least, if you're going to drive out to Kitchener, take 45 minutes to stop in Oakville and see two impressive and distinct shows at Og2:
Chris Kline - Bright Limit & Hyper Spaces.

about the author

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Personal space yields the simplest insights into a person. My space is full of work by contemporary artists & (some would say fanatically organized) bookshelves. I live for complex ideas, accessible artwork that takes advantage of the materials postmodernism introduced as viable fodder, & great literature. I work & write in Toronto, Ontario. Posts on this blog will range from reflections on exhibits I have seen or would like to see, musings on criticism, published essays, & maybe a few stray posts on literature. It may also include essays written for McGill or OCAD U. courses, as well as snippets of articles I've found interesting. You can bet your ass that all this will be cited!

I will happily field questions via Facebook messages, find me listed as "Leia Gore".

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